The critics have praised Vladimir Valjarevic for his “caressing legato,” “silk-on-velvet seductiveness” (Fanfare Magazine), “beautiful lyricism and . . . wide variety of tones and colorings, perceptively applied with care” (All Music Guide). He has also been called “an outstandingly responsive partner and superb tonalist” (The Strad). He has distinguished himself as performer, educator, and administrator – a result of his diverse interests and versatility.

Some of Valjarevic’s solo and chamber performances include appearances at the National Center for the Performing Arts in Beijing, Sumida Triphony Chamber Hall in Tokyo, Leiszhalle in Hamburg, Conservatory Hall in Geneva, Heilig-Kreuz-Kirche in Berlin, Concert Hall “Bulgaria” in Sofia, Conservatory of Music in San Juan, Puerto Rico, Manchester Music Festival in Vermont, Southwest Virginia Festival for the Arts, and the French and Swiss Embassies in Washington, D.C. In New York, he has performed at Bargemusic, “Concerts at One” at Trinity Church, the “Meet the Virtuoso” at the 92nd Street Y, the Weill Recital Hall at Carnegie Hall, Merkin Hall, Steinway Hall, the Yamaha Salon, The United Nations, and the New School’s Tishman Auditorium, among others. Committed to exploration of the contemporary repertoire, Valjarevic has worked under the direction of various composers and has taken part in numerous world premieres. In addition, he appeared in the European premiere of Cage’s dance drama “Four Walls” in Berlin and then Hamburg. Valjarevic has performed extensively as a member of the Kaleidos Duo, with violinist Miroslav Hristov. 

Valjarevic teaches piano at Mannes School of Music (College, Prep) and Mason Gross School of the Arts at Rutgers University, and piano literature and pedagogy at Mannes. He was the teaching assistant to Pavlina Dokovska for over a decade and still continues a close collaboration with her, in pedagogy and performance. As part of his outreach activities, he conducts piano master classes semi-annually under the auspices of Southwest Virginia Community College. In the summers, he serves on the piano and the chamber music faculties at Beijing International Music Festival and Academy in China. In addition, he teaches at the Round Top Festival in Texas and the International Institute for Young Musicians in Kansas. As the head of the Mannes Prep piano department, he created a variety of programs and incentives for students, in addition to setting the foundation of the secondary piano curriculum at Mannes College. He serves as the chamber music coordinator at the Beijing International Music Festival and Institute in China and the assistant artistic director at the Southwest Virginia Festival for the Arts. He has given piano masterclasses and lectures on piano pedagogy in the US and China, including a presentation at the Music China World Fair in Shanghai. 

Born in Bosnia and Herzegovina, Valjarevic received his initial music education in Tuzla as a student of Planinka Jurisic-Atic. After studies at Belgrade Conservatory (Serbia), he came to New York City on a scholarship from the Mannes School of Music. There, he earned bachelor’s and master’s degrees with honors, garnering the Marian Marcus Wahl Performance Award at graduation. His principal teachers were Pavlina Dokovska and Vladimir Feltsman. Valjarevic received a doctoral degree from the Mason Gross School of the Arts at Rutgers University, where he was a student of Susan Starr, and a recipient of the Saldarini Scholarship Award. Upon graduation, he was presented with the Elizabeth Wyckoff Durham Award for Excellence in Keyboard Studies. After winning a Fulbright Scholarship Award and Swiss Arts Government Grant, Valjarevic studied at the Geneva Conservatory in Switzerland under the tutelage of Pascal Devoyon. While in Geneva, he received chamber music instruction from Jean Jacques Balet and clavichord lessons from Nicole Hostettler at the Centre de Musique Ancienne. He has participated in Master Classes with Naum Shtarkman, Gaby Casadesus, Gyorgy Sandor, Jerome Lowenthal, Lilian Kallir, Eteri Andjaparidze, and Lydia Kouteva, and in festivals such as IMS Prussia Cove in England, the American Conservatory in Fontainebleau, France, the Apeldoorn Festival in The Netherlands, the International Festival-Institute at Round Top in Texas, The International Keyboard Institute and the Beethoven Institute in New York, and Kneisel Hall in Maine (as a recipient of Artur Balsam Scholarship). As a soloist and chamber musician, he has won numerous prizes at National Competitions in the former Yugoslavia as well as at the “Citta di Stresa” and “Citta di Marsala” International Competitions for the Young in Italy. He has recorded for Labor Records, Romeo Records, Centaur Records, Blue Griffin, and MSR Classics.